The Hit Songs of December 2021

While we didn’t do a full episode on the new music in December, I figured I’d still look at the charts and rank the best of what charted in the month. Which wasn’t much new music, there were a lot of Christmas tracks re-entering and we skip those.

  1. SZA – I Hate U -A classic soul sound accentuated by SZA’s honey vocals, but the beauty of the music sugarcoats the fury of the lyrics.
  2. Juice WRLD & SUGA – Girl of My Dreams – There’s a lot of interesting concepts going on in this cut, but it doesn’t feel disjointed or scrambled because of that. 
  3. Chloe – Have Mercy – A slow burning sexual anthem with excellent vocals.
  4. Adele – To Be Loved – Adele and some piano chords. That’s all it needs to be good. 
  5. Adele – My Little Love – Soulful love song to her son, while confessing the insecurities of every parent. I love you, but I’m terrified I might accidentally kill you/send you to therapy for your entire adult life. 
  6. Juice WRLD – Burn – I like the dark, spacey, multi-layered production. Feels like a complete contradiction to the weight of Juice’s lyrics. 
  7. Adele – Oh My God – feels like a throwback to the alt-pop of like 8 years ago or so. I like that sound but the track on the whole doesn’t do anything special for me. 
  8. Adele – Can I Get It – simple and upbeat, but something just feels a little… flat. I can’t put my finger on it though. 
  9. Adele – I Drink Wine – I know this is getting all the rave reviews, but I feel like it’s really just a pedestrian self-reflective/motivational song
  10. Kodak Black – Super Gremlin – Relatable lyrics about a lost friendship but nothing much else here to separate it from a thousand other trap tracks. The really lazy beat doesn’t help its case. 
  11. GAYLE – abcdefu – not an awful break up/fuck you song but the first line of the chorus is so cringe that it brings the rest of the song down with it. Possibly the dumbest three seconds in pop of the year.
  12. Oliver Tree – Life Goes On – As unpleasant as the toxic relationship it described.
  13. Lil Durk ft. Morgan Wallen – Broadway Girls – The release rivalry/race/future lawsuit over this song is more interesting than the track itself. The hick hop (ugh) track gets the trap treatment and it’s… well, not much. I mean, I nothing this song. It’s not bad from a production standpoint, but it’s not particularly good either. I just can’t find many feelings on this one besides: bleh. 

Top Hit Songs of July 2020

12. Luke Bryan – One Margarita

The Brofather is back to sing the praises of a new drink. Beer alone is no good, we need tequila. Actually, we need a rewrite of Tracy Byrd’s “Ten Rounds with Jose Cuervo” with a little Kenny Chesney spin on it and… oh, he name checks Chesney in a verse. Well, at least he knows. It’s a song that is technically fine. His band is more than capable. A few extra points for trying to make a party song in the middle of a summer where we could all use a pick me up. But there’s still quite a hole to dig out of here. 

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The Podcast: July 2020 in Review

This week, we take a look at another pretty good month in music. Jeremy and Zack give us their favorite albums of the month, Dan looks at the best and worst top 40 hits and the guys play their first round of the Looks Like game.

Jeremy’s Top 3 Albums of July:
3. Mannequin Online – I Feel It
2. Gaerea – Limbo
1. Ellie Goulding – Brightest Blue

Zack’s Top 3 Albums of July:
3. Gucci Mane – Gucci Mane Presents: So Icy Summer
2. Taylor Swift – folklore
1. Juice WRLD – Legends Never Die

Dan’s Top 2 Top 40 Tracks of July:
2. Megan Thee Stallion – Girls in the Hood
1. Lil’ Baby – The Bigger Picture

July 3rd and July 10th, 2020


We owe you a bit of an apology. A lot of good music happened in July, but due to some personal things that happened during that time (not going to bore you with details), we struggled to get things written. Rest assured, we were listening and intend to remedy the lapse in posts…

Right now.


Cuddle Magic – Bath (Northern Spy)

Bath is the sixth album from Brooklyn-based sextet, Cuddle Magic, and it is a damned shame that it took me six album to hear of them. As of this writing, I have not traveled back through to their origins, but if Bath is at all indicative of their body of work, they have a fan for life.

Folk-pop is a genre that doesn’t get a ton of radio play or heated discussion outside of your local bookstore or coffee shop. It’s also rare to find a folk-pop outfit that challenges the dynamics of the genre. Bath is acoustic. It is also orchestrated to be extraordinarily intoxicating. Voices float in and out at precisely the right moments. The instrumentation is consistent by changing to suit each individual song, whether that’s a harmonica (“Gracefully”), a pump organ (“This Way”, “Eleanor”), or the simple pluck of an acoustic guitar (“Hurt a Little”, “Still In Touch”), it is the perfect accompaniment to the softly sung vocals of Benjamin and Kristin

Yeah, I learned their names. So what?

From the first moments of “What If I”, you can feel the love. Love for the music. Love for each other. Love for the listener. 

Oh, and the fun part…

The whole album was recorded live in a bathroom. That’s right! Six people, no headphones or electronic tricks. Just microphones, instruments, and pure, unadulterated talent. 

FFO: The Shins, Bon Iver, Iron and Wine

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